I tried to pick my favorite albums, but I couldn’t, so in no particular order, these are my favorite songs of 2009. I realize I have up until now not been a music blogger, but I’m trying to keep things multimedia.
“The Animator” // Junior Boys
The critical talking point on this one seemed to be that it was the dreaded “mature” album, a dry batch of songs from a couple of former rabble-rousers. I humbly protest. Junior Boys have always brought such humanism to their dance tracks, and nothing changed with a little more sheen and restraint on Begone Dull Care, it’s among my favorite albums of the year.
“Bicycle” // Memory Tapes
M83-style maximalism, produced by American Dayve Hawk. Not many got close to this level of grandeur this year. Then again, not many tried. This is much more than mere Glo-Fi, that’s for sure.
“Crystalised” // the xx
Skeletal, minimal, spare. These words are all inadequate to describe just how restrained this song is. When The xx do a breakdown, literally nothing else is happening. I get chills around the 1:20 mark every time, for a rather minor crescendo. Where did these kids come from?
“Daniel” // Bat for Lashes
Does Natasha Kahn think it’s pandering to write a song this catchy? A damn shame, because something this universally bliss-inducing only comes around once in a while. Or once an album in the case of Two Suns.
“Despicable Dogs” // Small Black & “Feel it All Around” // Washed Out
What’s Glo-Fi you ask? This is it. Nothing sounds quite like synths and drum machines driven to the max and turned up to eleven, the sound of an MP3 reaching its limit. I’m looking forward to full albums by both Small Black and Washed Out in 2010.
“Laura” // Girls
2009 was the year the cool kids got out of the sweaty clubs and rediscovered the beach. No band embodies that transition better than Girls, who put out a whole album worth of throwback pop, the best of which is “Laura.”
“Liztomania” & “1901” // Phoenix
These two tracks are probably the best two pop songs of the year, and the fact that they’re back-to-back on Wolfgang Amadeus Phoenix would make you think the album was front-loaded. Then you listen to the rest, and realize it’s just this good all the way through. What’s left for Phoenix this year? They released the best album of their careers, they rocked SNL, their work appeared in a Cadillac commercial. What’s the encore, guys?
“My Girls” & “What Would I Want? Sky” // Animal Collective
What’s amazing is that this can even be called a pop song; how far we’ve come in the past few years. Easily the most palatable and most pleasurable thing Animal Collective have ever written.
We all thought the year was over for Animal Collective. We were wrong. The fact that a song this good didn’t make the cut for Merriweather Post Pavilion says something about the roll these guys are on. Enough of a roll, apparently, that this song contains the first-ever approved Grateful Dead sample.
“Northern Lights” // Bowerbirds
Has any other song gotten under my skin as fast as “Northern Lights”? I heard this one for the first time four days ago, and it’s already among my favorite songs of the year. There’s not much to it, just an earnest set of lyrics, some nice stand-up piano, spare drumming, and a devastatingly honest voice.
“Shine Blockas” // Big Boi (featuring Gucci Mane)
Wow, is this the only hip-hop on my list? That says a lot about the strength of the genre in 2009. After an overdose of Kanye-style narcissism and one too many overrated “returns to form,” it had to be Big Boi to bring everybody back to basics. Dear Luscious Left Foot: Put out your album already! We’re all looking forward to it after this.
“Rain On” // Woods
2009 was a year of highs and lows for the denizens of Lo-Fi. In March, it was bigger than ever, by June it was tired and listing badly. A couple of it’s main protagonists released underrated albums, but unfortunately this year belonged to Wavves. Unfortunate, because people overlooked a nice group of songs from Woods, including this melancholy meditation on the weather.
“Twin of Myself” // Black Moth Super Rainbow
In a list chock full of Eighties-worship, this is by far the cheesiest track, but I can’t resist it. The remainder of Eating Us isn’t designed for headphones, and it seems this is the only track to have bucked the overbearing influence of Dave Fridmann’s production. I love BMSR, but they’re music isn’t stadium-sized, and trying to make it that large only waters it down.
“Two Weeks” & “While You Wait For the Others” // Grizzly Bear
I’m a sucker for the old Motown pop formula, and here it’s deployed with such grace and vigor that I find the song irresistible. There’s much more drama and romanticism in these three minutes than an hour of inane, auto-tuned Top 40. Oh and the video ain’t half bad, either.
From the downright percussive guitar lick, to the unparalleled crescendo, this was the most advanced moment in pop music this year, not named “Stillness is the Move.” Even Michael McDonald thinks so.
“Walkabout” // Atlas Sound (w/ Noah Lennox)
I’ve never been much of a Bradford Cox fan, and obviously it took the involvement of Panda Bear to draw me into this one. He’s toned down the navel-gazing here, and the result is so wonderful I can only hope the fantastic Mr. Cox learns something from the approach of his friend and collaborator, something about how to give a song less intimacy and more appeal.
“Woods” // Bon Iver
Remember last winter? Back when we were drowning in a sea of Auto-Tuned pop? It took this insanely-great song from Justin Vernon to turn the butt of many a T-Pain joke into something far more consequential.
“Young Adult Friction” // The Pains of Being Pure at Heart
During four months of gray weather in Cleveland, we all need a little summery pop once in a while. These guys got me through last winter. All of their songs are unbelievably sticky, and it seems from their Higher than the Stars EP, released in September, that unlike the Lo-Fi groups with whom they were initially categorized, they’ll only get better with higher-quality production.